The veteran New York violinist/violist Jason Kao Hwang, who's worked with Anthony Braxton, William Parker and the late Butch Morris, among others, creates work under his own name that resist categorization:  Sometimes it's jazz, sometimes cham,ber music and sometimes entirely uncategorizable ... Which is to say that this is heavy, profound music. - Philip Freeman, Downbeat Magazine  Read Full Review

...features playing of the high-wire, rough-and-tumble variety, the trio's expressions rooted in the rapport the musicians have developed over time. Such unpredictability makes for exciting and engaging music, and the greatest takeaway has less to do with the compositions and more with the always evolving interplay between them.  Ron Schepper, textura.com  Read Full Review

Most spectacularly, on the foot-tapping Conscious Concave Concrete he manipulates the instrument so at various junctures it takes on sitar and guitar-like affiliations as well as mandolin twangs. Without disrupting his low tones, Filiano also achieves guitar-like facility with fluid solos. Incorporating Drury’s cymbal clashes and steel drum-like suggestions, the trio achieves a singular sound which touches on the blues, as well as international inflections. - Ken Waxman, published in the wholenote.com and jazzword.com. Read Full Review

Mirroring the onslaught of the pandemic and our attempts to adapt to a new normal, the angular fits and starts of “Words Asleep Spoken Awake, Part 1” give way to a structured groove and anthemic melody, while “Part 2” transitions from bristling frenzy to haunting elegy. The episodic suite incorporates funk, swing, and free-form sections, with seamless transitions between recurring motifs and individual solos that demonstrate the trio’s uncanny chemistry... - Troy Collins, Point of Departure  Read Full Review

The exciting performances include tracks 1 and 2 (Words Asleep Spoken Awake)  which suggests a King Crimson influence, and track 6 (Defiance) which creates a magnificent sound space through an interplay of bows with his frequent collaborator Ken Filiano. (translation from Japanese), - Takehiko Tokiwa, Jazz Life.  Read Full Review

Interview of Jason Kao Hwang in Jazz Tsurezuregusa (Jazz on the Road) and Disk Union in Japan by Harada Kazunori. Read full interview 

(Google translation) ...the obvious emotionality of the musicians remains, completely at ease in a communicative process that is willingly heard, complex, and at the same time easy to follow for what they express. - Vittorio Lo Conte, musiczoom.it  Read Full Review

Jason Kao Hwang plays violin and viola as he teams up with bassist Ken Filiano and drummer Andrew Drury for six originals. Hwang’s tone is rich and gorgeous, making the outside and left tunes quite accessible...The interplay between the three is impressive, conversing and contrasting on “Words Asleep Spoken Awake: Part 1” and forming a strong front line on “Defiance”. Free and focused. - George W. Harris, jazz weekly.com  Read Full Review

The trio jumps into a great groove right from the opening tag, repeating that festive line over & over with Mr. Hwang soon taking an inspired and intense solo. I can tell that this trio has been together for a long while as they soar tightly together and consistently maintain a jubilant, festive spirit - Bruce Gallanter, Downtown Music Gallery   Read Full Review

What they actually play conveys great verve and great zeal for life. Hwang and Filiano can pluck and counterpluck, but then they break out bows and the concept goes tilt-a-whirl dizzy... But dry, strategically assembled bits gave way to wild flights of mad-bird fancy. Crucial areas (I’ll leave you to find them) reveal that they’re playing nothing less than the blues, a rubbery swagger at which each of the three men throws himself, to push the other two up that hill. - Andrew Hamlin, jazztimes.com  Read Full Review